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Calld

In development

Staffing, availability and call sheets for AV production.

Calld connects freelance crew with the production companies that hire them, around the unit of work that actually matters in live production — the call. Find qualified and available people, staff the position, send the call sheet, and know who has read it.

Free while we are building. The core loop works today; the rest is on its way.

Who it is for

Both sides of the call, in one account

Calld is built for the two groups that have to agree before a show happens — and for the many people who are in both.

Freelance crew

A1s, V1s, LED and lighting techs, riggers and show callers — anyone who gets hired by the day.

  • Keep your profile, skills, equipment familiarity and certifications in one record you own, rather than rebuilding it for every company that hires you.
  • Connect Google or Microsoft Calendar so producers can see when you are free, without seeing what you are doing.
  • Find open calls that match your skills, your market and the days you are actually available.
  • Get the call sheet on your phone, see when it changes, and confirm it.

Production companies

Producers, labor coordinators and production managers staffing multi-day, multi-department work.

  • Your company is an organization with its own members and roles, not a shared login passed around the office.
  • Break a production into calls and positions instead of posting one job listing per show.
  • Search crew by skill, market, certification and real availability, then invite or assign.
  • Distribute the call sheet by email, SMS or in the app, and track who received, opened and confirmed it.

One account, both roles. Many AV professionals freelance while running a production company. Calld does not ask you to pick one: a single account carries a freelance profile and membership of any number of companies, and you are never asked to choose a side before you can read anything.

How it works

How a call gets crewed

Eight steps, start to finish. Everything in the first release serves this loop, and nothing in it is there for another reason.

  1. Create a professional identity

    Profile, skills, equipment familiarity, certifications and portfolio. One record, kept current by the person it describes.

  2. Establish availability

    Connect an existing calendar or set availability by hand. Matching reads whether you are free, not what you are doing.

  3. Create the production and its calls

    A production holds the show. Each call is a date, a venue and the set of positions that have to be filled for it.

  4. Find qualified, available crew

    Filter by skill, market, certification and equipment, narrowed to the people who are actually free on the day.

  5. Apply or invite

    Freelancers apply to open calls. Producers invite directly. Both arrive in the same place, against the same position.

  6. Assign the position

    The position stops being a gap and becomes a named person, with the call time and the agreed rate attached.

  7. Distribute the call sheet

    Email, SMS or on-platform. Every version is kept, so "which one did they get" has an answer rather than an argument.

  8. Confirm

    Delivered, viewed and confirmed, tracked per person. Chase the three who have not, not the whole crew.

What we are building around

Four decisions the product is shaped by

Availability is data, not a profile field

Whether someone is free on the day is part of the match, not a note at the bottom of a profile. Calendar detail stays private: the platform needs the gap, not the reason for it.

Reputation is a relationship, not a rating

Knowing someone, recommending someone you have actually worked with, and sharing a production credit are three different claims. Calld keeps them apart, and there is no five-star score.

A production is not one job listing

Production, call, position, assignment. Multiple days, departments, roles and shifts, each staffed on its own terms and each able to change without resetting the rest.

Mobile is operational, not secondary

Crew read this in a loading dock, on a truck, backstage between doors. Every workflow that matters on a show day works on a phone.

Status

Calld is in development

The loop above is what is being built first, and it is what an account gets you today. The rest of this page describes where it is going; this section is the part that says how far along it actually is.

If you staff crew, or work as crew, we would rather hear how you do it now than guess at it. What did your last show week actually look like — the spreadsheet, the group chat, the call sheet that went out twice?